M-audio drum and bass rig free download

Master Volume and Fine-tune are self explanatory. Tempo is used to set the speed of any tempo-dependent parameters — such as delays or the LFO on the MS2 synth.

The global effects section offers no less than 49 preset algorithms, covering the usual suspects like reverbs, delays, chorus, tremolo, flanging, EQ and compression, plus distortion including amp simulations and bit-crushing , phasers, wah-wahs and pitch-shift.

Finally, we have Load and Save buttons for dealing with global Rig patches. What's missing, though, is any ability to play any of Key Rig's modules from within the program itself. Let's start by tickling the ivories of the SP1 Stage Piano module.

This offers 11 different piano sound presets: specifically, seven sampled acoustic pianos five flavours of grand, an upright and one called 'Honky Tonk' , two Rhodes-style electric pianos, an FM piano and a Wurlitzer. What strikes you immediately is the high quality of the sounds.

Individually the acoustic piano sounds are really very classy; the 'Upright' and 'Honky Tonk' presets are particularly impressive in terms of exhibiting 'real-life' piano characteristics right through the keyboard range with appropriately plinky notes at the top end and deep, sustaining bass at the bottom.

M-Audio don't provide much detail on how the sounds have been created, but the fact that the SP1 sound presets add up to about MB points to fairly extensive multisampling. Key Rig. Two preset selector wheels enable you to dial up two sounds simultaneously. The second wheel offers three extra synth-string pads if you fancy a soupy lounge sound.

The two sounds can be layered with a Mix control determining their relative volumes or split, although the split point is limited to a choice of seven predetermined positions: C2, F 2, C3, F 3, C4, F 4, and C5.

Both preset selectors have a simple Tone control to change the brilliance of the sound. In the case of the first preset, this is accompanied by a Velocity control, which adjusts the amount of dynamic range between hard and soft notes. The second preset features an Octave control enabling you to transpose the assigned sound by one or two octaves.

Finally, a detune function enables you to adjust the relative tuning of the two presets. These controls in themselves enable you to create a huge range of hybrid piano tones. But for good measure the SP1 is also equipped with a twin effects section. This can be routed either in series or parallel and each effect draws on the same 49 algorithms and offers the same programmability as the master effects section I've already mentioned.

Unfortunately, once you get into creating more complex layered patches using twin-barrelled presets and effects, it soon becomes apparent just how hungry the SP1 is for CPU power.

In stand-alone mode, I found that I couldn't really afford to have any other programs running on my G5 iMac, and even then it didn't take too much in the way of polyphonic keyboard work before sounds started to glitch or drop out. The issue becomes more serious when using Key Rig as a plug-in, because the host sequencer needs its own share of the CPU, regardless of whether you have any other plug-ins running.

It's an issue which I will return to later. In the meantime, we'll progress to the MS2. This is a natty polyphonic virtual synthesizer capable of producing a wide range of timbres and synthy textures — lush pads, pokey leads, tight basses and my particular favourites some excellent ethereal bell-type sounds and spooky tuned percussion pads.

It's difficult to describe, but the MS2 presets seem to have the ingredients of all the great synths you ever knew and loved, without appearing to directly mimic or model any of them.

Looking more closely at the specs reveals how the MS2 manages to be such a chameleon. Although the synthesis involved is rather loosely described as 'generally analogue', the MS2 also throws in FM synthesis and wavetables.

Down in the synth boiler room, you'll find 85 'oscillator presets' each of which can include any combination of up to three analogue oscillators plus two wavetables, a sub-oscillator a square wave and white noise. This gives you pretty complex source material, which is then further shaped through a conventional filter, amp and modulation setup, plus an effects section.

All that makes for a very rich basic fuel mixture, but M-Audio have taken the complexity out of trying to drive the MS2 by providing presets for all main programming sections. So along with the oscillator presets there are 47 filter, 27 amp and 28 modulation presets, all of which are called up from drop-down menus associated with each section. So programming is simply a matter of mixing and matching different preset types.

And as they are given real-world names, it's pretty easy to pick the right kind of combinations to get the kind of sound you want. For those who want to get into more detailed tonal shapery, there's a fair degree of control via the on-screen knobs, although M-Audio have generally kept it simple and accessible. For example, the filter and amp envelopes are easily manipulated just by pulling the 'handles' on the graphic curves. And for the oscillator presets you are just given a single 'Wave' control which is mapped to the element of the preset that is likely to have the most effect on changing the sound.

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The program is free for any private use and is updated regularly. With this software, you can play the piano as if it were a real one. More AIMP 5.

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